Archives for May 2016

Register now, or forever hold your piece (of charcoal)

Marvin Mattelson interviews himself!

Detail of Marvin’s drawing demo from a previous year:
Dustin-draw2

My 5 Day Realistic Portrait Drawing Workshop at the School of Visual Arts in NYC starts on this coming Monday, June 6th, and runs until Friday, June 10th, so I decided to pose some deeply probing questions to myself so that potential students could get a better idea of why they should sign up today.

Q: Why your workshop when there are so many to choose from?

A: Good question! First you’d be helping me line my pockets with gold. Just kidding, I will receive a check in payment for my services.

Q: No seriously. Why your workshop?

A: I think I offer a different level of understanding than what I’ve come to see in the teaching of others. The majority of teachers give rules and techniques to follow. Me, however, I feel very strongly that unless you know why you are doing something, you’ll never have free will.

Q: That’s a pretty bold statement. Care to explain more succinctly?

A: Yes, it’s like the parable about fishing, the difference between giving a man a fish and feeding him for one day or teaching him to fish and feeding him for a lifetime. Creating art is about making the appropriate choices, moment by moment. Rote reaction to any circumstance makes you a robot at best.

Q: What makes you think this rote way of teaching is so widespread?

A: I see students coming out of learning institutions and all the work looks pretty much the same stylistically. What other conclusions could I draw?

Q: Good point and clever pun (if I say so myself). So what will people walk away with if they sign up?

A: First they’ll have fun. It’s hard to learn in an uptight environment from people who take themselves too seriously. I’m a very irreverent person and I’m an artist because I want to spend my life doing what makes me happy. Being in a relaxed state encourages flow.

Q: Anything tangible beyond this new age mumbo-jumbo?

A: For those who want a more meat-and-potatoes kind of explanation, my students will learn, first, to see more accurately, also a function of being on the moment (Mumbo-jumbo or not…this is key!). They will learn how to convert what they see into a 3D representation on a flat surface. They’ll learn techniques that they can blend into their own way of working. Most importantly they’ll become far more adept at drawing, which is – as Ingres put it – the probity of art. To that end they can have far greater control whether drawing or painting or whatever their end game.

Q: Wow, you make a very compelling argument. I’d sign up for that in a minute. Any last thoughts?

A: Here’s the thing, far too many people get caught up in believing if they can only learn that one elusive technical tidbit, that’s the answer. I know, I’ve been there…and nothing could be farther from the truth. Basho, a Japanese poet said, “Don’t follow in the footsteps of the masters, seek what they sought.” I think anyone would benefit greatly from this approach.

Q: Thanks so much for the interview.

A: The pleasure was all mine!

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016 • 9:00AM – 5:00PM
Find out more information about this workshop
Register online or call 212.592.2200

Where To Draw The Line; Marvin Mattelson’s SVA Summer Drawing Workshop

“Matt-Ellrod-2192"Workshop drawing by Matt Ellrod

G. K. Chesterton once observed, “Art, like morality, consists in drawing the line somewhere.” For advice on morality you should seek spiritual guidance, but as far as where to draw a line, I think I may be able to help. I will be leading a portrait drawing workshop at the School of Visual Arts here in the heart of New York City from June 6-10.

Workshop drawing by Mandy BisestiWorkshop drawing by Mandy Basesti

In this workshop you will learn to create a portrait drawing using charcoal and white chalk on toned paper. It’s my take on a technique used by the great French draftsman Pierre-Paul Prud’hon in the late 18th and early 19th century. This technique, which actually dates back many hundreds of years prior to Prud’hon, allows you to develop a drawing in much less time than simply drawing on white paper. For that reason many artists such as Sir Anthony Van Dyck and Elizabeth Vigee LeBrun (both of which are currently featured in museum retrospectives here in NYC) have used this technique to save themselves valuable time.

Workshop Drawing by Carole KatzWorkshop Drawing by Carole Katz

Although the technical aspects of making a finished drawing will be covered in great detail, the primary focus of this workshop is learning to see proportions and tones more accurately. This will greatly enhance your ability to not only capture a faithful likeness, but also to better assess values, allowing you to render form more effectively. In class we will be working exclusively from live models. I will be demonstrating and explaining all aspects of my drawing methodology and the underlying concepts that govern my actions. You will come away from the workshop with a deeper understanding and a sound strategy for approaching any subject.

Workshop Drawing by Barry GraysonWorkshop Drawing by Barry Grayson

You will learn how to develop the illusion of three-dimensional form bathed in light and surrounded by air. Whether your goal is to improve your drawing for its own sake, or to enhance your drawing skills as a conduit to further improving your paintings, this workshop will provide you with the tools necessary to draw with more confidence.

Workshop drawing by Paul BeaudoinWorkshop drawing by Paul Beaudoin

Throughout this article you are seeing recent drawings by my workshop students. These drawings were done in approximately one day, not obsessively rendered over a period of either weeks or months. Notice the diversity of stylistic approaches. Rather than dogmatically insisting that my students draw in a particular way, my goal is to assist you in becoming the best possible version of yourself.

Workshop drawing by Pete GrillWorkshop drawing by Pete Grill

On Wednesday, May 11, there will be a Fine Arts Information Session: Painting, Drawing, Sculpture and Printmaking at the School Visual Arts at 133/141 W. 21st Street, room 602C, sixth floor from 6:30 to 8:30 PM. I’ll be there if you have any questions about my drawing workshop or my two-week portrait workshop from August 8-19, or just want to stop by and say hello.

Workshop drawing by Matt EllrodWorkshop drawing by Matt Ellrod

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016 • 9:00AM – 5:00PM
Find out more information about this workshop
Register online or call 212.592.2200

11 Day Realistic Portrait Painting Workshop
August 1 – 12, 2016 • 9:00AM – 5:00PM • No class August 7.
Find out more information about the workshop
Register online or call 212.592.2200
This course may also be taken for credit. Please call the registrar’s office @ 212.592.2200 for more information.