Marvin Mattelson Realistic Portrait Drawing Workshop

June 5-9 @ The School of Visual Arts in New York City

I’ll be leading a drawing workshop at the School of Visual Arts in New York City from June 5-9 (9 AM- 5 PM daily).

I believe that my workshops are fundamentally different than those led by other people. My main focus it is on changing the way you think about making art. Mark Twain said it best, “When you do what you’ve done, you get what you’ve gotten.” If you want to be a better artist, you need to learn to think like a better artist. It’s not about learning a little trick or two and it certainly isn’t about learning more rules. But don’t worry, the course is packed with more technical information than you could ever imagine.

But why listen to me. Although I’ve been at every workshop I’ve ever led, I’ve never had the opportunity to actually experience one first-hand.  Then it hit me, wouldn’t the best explanation come from a former student who actually participated in one of my drawing workshops. So what follows is the text from an email that my former student, Mary Beth Lumley, sent to me following the workshop she took. I’ve also enclosed some pictures of her exquisite drawing for your viewing pleasure.

Marvin, how can I ever thank you for this week?? What a wonderful, eye-opening adventure it was. I so enjoyed meeting you and having the honor of spending time with you. I can’t wait to put what I’ve learned from you into action and have been working all morning to rearrange my condo (read also: life) to create space for the development of my artwork. I know I’m only one of hundreds of students you’ve encouraged and artists’ lives you’ve helped to transform, but you made me feel so special and have left an indelible impression on my art and my life.

Going into your drawing workshop, I had hoped to gain a fresh perspective and learn some fundamentals I could apply to what I already knew about drawing. I had no idea what I was about to experience. Like so many of your students, I thought I had some knowledge on the subject, but right away I realized the smartest thing I could do would be to leave behind what I knew and fully embrace your incredibly unique methodology. You didn’t just teach me to draw, you taught me to see — a universal skill I can apply to everything I create, regardless of the medium.

So few people have the ability to operate at the level you do artistically, but even fewer have the skills and desire to teach others how it’s done. You took what you learned about us as individuals and you developed custom, innovative teaching methods using them to push each of us to new levels. You understand how people learn and seem to genuinely thrive off of your students’ progress. Selfless with your wealth of knowledge, you jumped at any opportunity to share what you know with your students. After only six days, every one of us walked away with more knowledge than we could have ever hoped to achieve in that time-frame and for that amount of money. This workshop was, without a doubt, the best investment I’ve ever made in the development of my skills as an artist.

I cannot thank you enough for everything you taught me this week, Marvin. You are a spectacular teacher and person, and I will be counting down the days until I can study with you again.

Mary Beth Lumley

 

 

If you’d like to hear what others have said regarding their experience of studying with Marvin, you can read additional student feedback here.

To attend the drawing workshop please call 212-592-2200 or you may register online now. If you are interested in further information, you can read about the course here.

I’m also leading a 2 week workshop: Portrait Painting: The Real Deal from August 14-25. You can register online as well, or call 212-592-2200.

There will also be an open house at The School of Visual Arts on Thursday, May 11, at 6:30. I’ll be giving a short presentation about my summer workshops. I’d love to see you there and I’d definitely love to see you at the workshop.

Until next time…

Register now, or forever hold your piece (of charcoal)

Marvin Mattelson interviews himself!

Detail of Marvin’s drawing demo from a previous year:
Dustin-draw2

My 5 Day Realistic Portrait Drawing Workshop at the School of Visual Arts in NYC starts on this coming Monday, June 6th, and runs until Friday, June 10th, so I decided to pose some deeply probing questions to myself so that potential students could get a better idea of why they should sign up today.

Q: Why your workshop when there are so many to choose from?

A: Good question! First you’d be helping me line my pockets with gold. Just kidding, I will receive a check in payment for my services.

Q: No seriously. Why your workshop?

A: I think I offer a different level of understanding than what I’ve come to see in the teaching of others. The majority of teachers give rules and techniques to follow. Me, however, I feel very strongly that unless you know why you are doing something, you’ll never have free will.

Q: That’s a pretty bold statement. Care to explain more succinctly?

A: Yes, it’s like the parable about fishing, the difference between giving a man a fish and feeding him for one day or teaching him to fish and feeding him for a lifetime. Creating art is about making the appropriate choices, moment by moment. Rote reaction to any circumstance makes you a robot at best.

Q: What makes you think this rote way of teaching is so widespread?

A: I see students coming out of learning institutions and all the work looks pretty much the same stylistically. What other conclusions could I draw?

Q: Good point and clever pun (if I say so myself). So what will people walk away with if they sign up?

A: First they’ll have fun. It’s hard to learn in an uptight environment from people who take themselves too seriously. I’m a very irreverent person and I’m an artist because I want to spend my life doing what makes me happy. Being in a relaxed state encourages flow.

Q: Anything tangible beyond this new age mumbo-jumbo?

A: For those who want a more meat-and-potatoes kind of explanation, my students will learn, first, to see more accurately, also a function of being on the moment (Mumbo-jumbo or not…this is key!). They will learn how to convert what they see into a 3D representation on a flat surface. They’ll learn techniques that they can blend into their own way of working. Most importantly they’ll become far more adept at drawing, which is – as Ingres put it – the probity of art. To that end they can have far greater control whether drawing or painting or whatever their end game.

Q: Wow, you make a very compelling argument. I’d sign up for that in a minute. Any last thoughts?

A: Here’s the thing, far too many people get caught up in believing if they can only learn that one elusive technical tidbit, that’s the answer. I know, I’ve been there…and nothing could be farther from the truth. Basho, a Japanese poet said, “Don’t follow in the footsteps of the masters, seek what they sought.” I think anyone would benefit greatly from this approach.

Q: Thanks so much for the interview.

A: The pleasure was all mine!

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016 • 9:00AM – 5:00PM
Find out more information about this workshop
Register online or call 212.592.2200

Where To Draw The Line; Marvin Mattelson’s SVA Summer Drawing Workshop

“Matt-Ellrod-2192"Workshop drawing by Matt Ellrod

G. K. Chesterton once observed, “Art, like morality, consists in drawing the line somewhere.” For advice on morality you should seek spiritual guidance, but as far as where to draw a line, I think I may be able to help. I will be leading a portrait drawing workshop at the School of Visual Arts here in the heart of New York City from June 6-10.

Workshop drawing by Mandy BisestiWorkshop drawing by Mandy Basesti

In this workshop you will learn to create a portrait drawing using charcoal and white chalk on toned paper. It’s my take on a technique used by the great French draftsman Pierre-Paul Prud’hon in the late 18th and early 19th century. This technique, which actually dates back many hundreds of years prior to Prud’hon, allows you to develop a drawing in much less time than simply drawing on white paper. For that reason many artists such as Sir Anthony Van Dyck and Elizabeth Vigee LeBrun (both of which are currently featured in museum retrospectives here in NYC) have used this technique to save themselves valuable time.

Workshop Drawing by Carole KatzWorkshop Drawing by Carole Katz

Although the technical aspects of making a finished drawing will be covered in great detail, the primary focus of this workshop is learning to see proportions and tones more accurately. This will greatly enhance your ability to not only capture a faithful likeness, but also to better assess values, allowing you to render form more effectively. In class we will be working exclusively from live models. I will be demonstrating and explaining all aspects of my drawing methodology and the underlying concepts that govern my actions. You will come away from the workshop with a deeper understanding and a sound strategy for approaching any subject.

Workshop Drawing by Barry GraysonWorkshop Drawing by Barry Grayson

You will learn how to develop the illusion of three-dimensional form bathed in light and surrounded by air. Whether your goal is to improve your drawing for its own sake, or to enhance your drawing skills as a conduit to further improving your paintings, this workshop will provide you with the tools necessary to draw with more confidence.

Workshop drawing by Paul BeaudoinWorkshop drawing by Paul Beaudoin

Throughout this article you are seeing recent drawings by my workshop students. These drawings were done in approximately one day, not obsessively rendered over a period of either weeks or months. Notice the diversity of stylistic approaches. Rather than dogmatically insisting that my students draw in a particular way, my goal is to assist you in becoming the best possible version of yourself.

Workshop drawing by Pete GrillWorkshop drawing by Pete Grill

On Wednesday, May 11, there will be a Fine Arts Information Session: Painting, Drawing, Sculpture and Printmaking at the School Visual Arts at 133/141 W. 21st Street, room 602C, sixth floor from 6:30 to 8:30 PM. I’ll be there if you have any questions about my drawing workshop or my two-week portrait workshop from August 8-19, or just want to stop by and say hello.

Workshop drawing by Matt EllrodWorkshop drawing by Matt Ellrod

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016 • 9:00AM – 5:00PM
Find out more information about this workshop
Register online or call 212.592.2200

11 Day Realistic Portrait Painting Workshop
August 1 – 12, 2016 • 9:00AM – 5:00PM • No class August 7.
Find out more information about the workshop
Register online or call 212.592.2200
This course may also be taken for credit. Please call the registrar’s office @ 212.592.2200 for more information.

“When you do what you’ve done, you get what you’ve gotten.” Mark Twain

Marvin Mattelson Summer Workshops at SVA@NYC

Edward_Cripps_full

Recent Posthumous Portrait of Edward Cripps by Marvin Mattelson

Contrary to popular belief, doing the same thing over and over doesn’t necessarily make you better. Many great achievers, such as Mark Twain, have echoed this same sentiment. For example, the writer/philosopher Rita Mae Brown has stated, “The definition of insanity is doing the same thing over and over and expecting different results.

If you want to become a better painter, you need to transform the way you think about making paintings. Simply put, the idea of going to a workshop and picking up a trick or two is not going to make a significant difference in the quality of the work you do. “If you do not change direction, you may end up where you are heading,” cautioned Lao Tzu.

So if doing what you’ve always done isn’t the answer, what is? Wayne Dyer said, “If you change the way you look at things, the things you look at change.” If you want to achieve greatness you need to approach what you do with the same mindset as the greatest painters in history. I have dedicated my life to uncovering the common threads that bind the greatest classical artists, such as Rembrandt, Vermeer, Velasquez, Van Dyck, Raeburn, Lawrence, DeCamp and Paxton.

This summer I’ll be sharing my observations at the School of Visual Arts in New York City during my one-week portrait drawing workshop and my two-week oil portrait painting workshop. In the past, people have made remarkable progress in a very condensed time period. Your mileage may vary. Hope to see you there.

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016
Find out more information about this workshop
Register online or call 212.592.2200

11 Day Realistic Portrait Painting Workshop
August 1 – 12, 2016 – No class August 7.
Find out more information about this workshop
Register online or call 212.592.2200
This course may also be taken for credit. Please call the registrar’s office @ 212.592.2200 for more information.

Edward_Cripps_hs

Realistic Portrait Drawing Workshop with Marvin Mattelson in New York City

School of Visual Arts • June 1 – 5 • 9am – 5pm

Dustin-draw2

Dustin by Marvin Mattelson (detail) – Charcoal and white chalk on toned paper

Drawing is the backbone of all representational art. J. D. Ingres said, “Drawing includes three and a half quarters of the content of painting… Drawing contains everything, except the hue.”If you are interested in sharpening your drawing skills and/or improving your portraits, this workshop presents an opportunity to gain the kind of strategic thinking and technical know-how that great master artists have used for centuries. You will gain insight into achieving better accuracy, greater solidity and a life-like essence. This knowledge is not style or subject specific. When you incorporate what you’ve learned into your existing working method you will notice a big difference.

I believe the way art is taught today limits all but the most precociously talented from succeeding. The majority of realistic art instruction is rule oriented. That’s why so much work is easily identifiable by school or instructor. As a result, many potentially good artists are thwarted because they are not provided with the proper understanding and training necessary to seek their own paths. I want my students to fully understand all the options they have at their disposal. It doesn’t make sense to mandate a specific action for each particular circumstance. That kind of rigid thinking is the antithesis of the creative process.

A refreshingly logical and clear approach for artists of all levels.

Whether drawing or painting is your end game, a deeper understanding of the drawing process is the most crucial part. The essence of draftsmanship is having a well-trained eye. If you want to learn how to draw well, the first step is to transform the way you see. The ability to faithfully represent what lies before you is the major factor in achieving long-term success as a realist. When approached logically, mastery over your drawing is far more easily attainable. There is more to drawing than mindlessly copying and obsessively rendering what you’re looking at. Drawing is having the ability to understand what you see and the skill to clearly convey it’s essence.

Dustin-draw1

Dustin by Marvin Mattelson – Charcoal and white chalk on toned paper

We will be working from live models under ideal lighting conditions, the most effective way to learn how to represent the illusion of three-dimensionality. I will demonstrate and explain every step of my method throughout the workshop. I work one-on-one with each of my students during the times I’m not demonstrating.
Here are some of the key points of what I’ll be teaching:
• Achieving accurate drawing and values – which also happen to be the two most crucial aspects of representational painting.
• Creating the illusion of form and atmosphere.
• Varying edges intelligently (not formulaically) so that your drawing has more vitality.
• Understanding how to achieve pictorial unity.

To register online: http://www.sva.edu/continuing-education/fine-arts/realistic-portrait-drawing-15-cu-fic-2148-a

For more info or to register by phone, please call: 212-592-2200

Until next time…