Marvin Mattelson’s Teaching Schedule • Summer 2013

Oil Portrait Painting & Drawing Workshops

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Workshop drawing by Carol Katz

I’ve heard it said again and again that when you take a workshop, don’t expect to take away too much, maybe at best a few little tricks or oil painting techniques. Anyone who’s had that experience simply didn’t do their homework. My workshops are hugely different; they’re about transformation. My goal to change the way my students look at the world and think about making art. Carol Katz took my drawing workshop in New York last summer. (See above.) This is what she had to say about her experience:

A lot of people think they can’t draw. They think you’re either born with the ability to draw or you’re not and you can never learn. In reality, it’s something that can be taught to anyone with the right teacher and method. Just as a musician needs to learn the notes and the language of music, an artist needs to learn the language of art.

Through years of school, my teachers never seemed to offer the kind of art education that I knew I was missing. I didn’t know exactly what I was looking for, but I knew I would know it when I found it. I took drawing, figure drawing and painting in college and for years after in many different schools, always searching for the education that eluded me – until I took Marvin’s painting class and drawing workshop.

I never seemed to be able to get beyond a certain level in my drawing. However, in one week Marvin’s drawing workshop brought me to a level that I’ve been striving for my whole life. It is by far the most awesome drawing course – and I’ve taken countless – and as an artist, I can honestly say it was a game changer for me and a life changing experience. I’ll continue to study with Marvin because I believe the sky is the limit studying with one of the most gifted artists and teachers around.

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Class painting by Jane Cronk

Jane came to my class after a five-year hiatus from formal painting instruction. Her progress since September has been breathtakingly stunning. Nothing is more exciting to me than to witness these transformations.

This summer I’ll be leading three Oil Portrait Painting Workshops. They’ll take place in Cleveland, Atlanta, and New York City. I’ll also be conducting a Portrait Drawing Workshop in New York as well. These are appropriate for portrait artists of all levels, from experienced to aspiring.

The dates are as follows:

New York Portrait Drawing Workshop: June 3-7

Atlanta Oil Portrait Painting Workshop: June 10-27
Cleveland Oil Portrait Painting Workshop: July 15-27
New York Oil Portrait Painting Workshop: August 5-16

For more info please click on any of the above.

I will also be attending two information sessions at the School of Visual Arts on May 6 & 7, 2013. If you’re interested in meeting me and finding out more about my workshops here are the times and locations:

Summer 2013 Fine Arts Information Session – May 6, 6:30-8:30 PM
133/141 West 21st St. Room 602C, New York City.

Summer 2013 Illustration Information Session – May 7, 6:30-8:30 PM
209 East 23rd Street, Room 311, New York City.

Call the office of Continuing Education at 212-592-2050 for more info about the info sessions or about any of my New York offerings.

Hope to see you this summer and help you change your game!

How To Be A Better Artist in 2013

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A commenter, responding to my recent post On The Quest For Excellence, said their New Year’s resolution was to be a better artist. They cited the following quote:

That which we persist in doing becomes easier – not that the nature of the task has changed, but our ability to do has increased.

Ralph Waldo Emerson:

I know Emerson was a brilliant guy but, big picture in mind, I think he missed the mark. Yes, it’s true, you will get better through repetition, but if you do something badly and you practice and practice, you’ll get better at doing it badly. Which begs the question: how do you to learn to do it well?

If you’re being objective (a huge part in the quest for success, IMO) you first identify the problem and then come up with the solution. However, it’s easier said than done, because, had you had that knowledge, there wouldn’t a problem in the first place. Therefore, you need to look outside yourself to expand your capabilities. This where a good teacher comes in.

At the height of my illustration career (Time Magazine covers, movie posters, national ad campaigns, etc.) I realized that I wasn’t satisfied with the quality of my paintings; I spent the next ten years studying, one day a week, with John Frederick Murray, a former student of the legendary Frank Reilly. Everyone thought I was crazy because I was “so good” but I wanted to be so much better. Reilly’s teachings allowed me to fill in many gaps in my approach. Having been self-taught, up to that point, I was amazed to discover that Reilly’s methodology synced perfectly with mine.

My former student Martin Wittfooth, one of today’s hottest young painters, was mentioned last week in People Magazine. Comedic actress Kaley Cuoco stated that she had recently purchased a large painting of Marty’s. When he first came to study with me, he was having modest success with his gallery work, but he too wanted more. He signed up for my Friday class and came every week for three years. Above you can see a recent painting of his and below, you can read what he had to say about his experience.

Marvin Mattelson’s technique and teaching philosophy have been an invaluable asset to my own understanding of painting. A tremendous amount of the knowledge and experience that I have acquired in this class greatly informs the way that I paint in my own time as a full time professional artist, regardless of what subject matter I choose to depict. Everything from the best choice of materials, to a thorough understanding of color, to the handling and application of paint and the achievement of compelling realism is covered in Marvin’s method, and in a manner that is extremely easy to absorb and process. The method allows for immense personal development for an artist at any stage in the game. In the various classes I have attended throughout my studies and my career, I have never witnessed such great strides of advancement in well-rounded skills as in the students in Marvin’s class. I am grateful to count myself among them.

It really has been a hugely transformative experience for me, and I wish that more aspiring artists who had the chops to progress with their painting discovered his class. I do make a point to tell anyone asking about my portraits or just painting-advancement to consider signing up.

Martin Wittfooth

I’ll be teaching two continuing education classes for upcoming winter/spring semester at The School of Visual Arts in New York City. These classes are open to everyone, not just full-time students. Realistic Figure and Portrait Painting, Fridays from noon to 6pm, starting Feb. 1, and Classical Portrait Painting, Saturdays from 10am to 4pm beginning Feb. 2.

On Tuesday September 15 there will be a Continuing Education Information Session for students interested in learning more about available courses at SVA. I’ll be in attendance, so if you’re in the neighborhood, please stop by and say hello. This information session will be held at 209 East 23rd Street, room 311, 3rd floor. Seating is given on a first-come, first-served basis. Session begins promptly at 6:30 PM.

You can read more about my portrait painting and figure painting classes and workshops here.

Link to video of portrait Artist Marvin Mattelson on NBC Nightly News

mattelsonportrait1Here’s a link to the clip on NBC’s site: Marvin on NBC Nightly News

Look Mom! I’m On National TV Tonight

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Tonight, January 11, 2013, I’m being interviewed by Kate Snow for the NBC Nightly News with Brian Williams. It airs at 6:30 Eastern Standard Time. Please check your local listings.

The interview lasted 25 minutes and during that time I painted the above color study of Kate from life. It’s for a piece about the unveiling of Kate Middleton’s first official portrait. The entire segment will be lasting about a minute and a half so if you want to see me, don’t blink or go to the potty.

This all took place at The School of Visual Arts, in the studio space where I teach my classes and workshops. Kudos to them for getting it together at the drop of a hat.

All this happened today and Kate (Snow not Middleton) left a few minutes ago to edit the piece. It was pretty awesome and she seemed to genuinely like the portrait, especially the eyes, so I gave her the painting. The mouth was the most challenging aspect since she had to keep talking the entire time she interviewed me. It was tough because the lights were glaring in my eyes and I had to mix colors more from feel than visually. All things considered, it turned out better than I ever anticipated so I’m quite pleased with it. For 25 minutes worth of painting I think I did a credible job. I would have liked having more time, but, you know what they say, that’s show biz!

Until next time…

Fall Continuing Education Classes in New York City

Realistic Portrait and Figure Painting at the School of Visual Arts

Once again the fall semester is upon us. I teach two classes at the School of Visual Arts in New York City each fall and spring. A large number of my students keep coming back. It’s a diabolical plot to entice them to return semester after semester, by making sure they experience incredible progress in their artistic development. Then they’ll continue to register again and again and again. (Sinister laugh!)

All kidding aside, my teaching is effective because I don’t merely teach tricks, techniques and/or dispense rules. My goal is to transform the way my students think about painting, through a contextual approach.

A number of my students teach at the school. One such faculty member is Lori Hollander, who teaches jewelry making. She is a recent addition who has really flourished utilizing my methodology and thought processes. She started the above portrait–which she emailed to me yesterday–this past spring semester. At the end of the semester Lori took some reference photos of our model, Dustin, because she wanted to take her portrait to a higher level of refinement. I was so excited when I saw the completed painting. I’m posting a detail to give you get a sense of the intensity she achieved. It’s just brimming with life. I’m so proud of the great progress that Lori has made.

Realistic Portrait & Figure Painting runs 12 Fridays from 12:00 PM ’til 6:00 PM. Click here to register or get more info.

Realistic Portrait & Figure Painting runs 12 Saturdays from 10:00 AM ’til 4:00 PM. Click here to register or get more info.

For those interested, the classes start next Friday and Saturday, September 21st & 22nd 2012.

Until next time…