Alla Prima Portrait Painting Demonstration

Marvin Mattelson’s One & Done Technique

Simone-&-Marvin
This past Saturday I did a portrait painting demonstration for my class, alla prima style. The point was to show the students how I approach painting oil studies during my initial meetings with clients. I primarily work from reference photos for my finished portraits, due to the time limitations of my busy clients. This quick approach gives me the opportunity to study their facial structure, get a better sense of who they are and, most importantly, to record their complexion. Judge for yourself, by looking at in the above photo, how I’ve done with regards to matching Simone’s skin tones.

Simone11
This painted study took me three hours and forty minutes – not counting breaks, although in the past I’ve done them in as little as one hour.

Here’s a little movie I put together showing how the painting evolved:

Don’t Try This at Home!

When going the Alla Prima route – trying to nail everything at once – if you are not in complete command, your results will suffer. If you’re having problems, you need to reload; first learn to do things correctly by mastering each of the major aspects of painting: drawing, value and color. That’s the way I break things down for my students. If you wanted to learn to ride a unicycle on a high wire while juggling burning axes would you try to do it all at once? When you break it down in digestible bites you get to dessert way faster?

Sound appetizing? Come study with me, this summer. I’ll be leading a portrait drawing workshop in June and a portrait painting workshop in August at the School of Visual Arts in New York City.

Also, there’s a Fine Arts Information Session on Monday, May 11, from 6:30 pm – 8:30 pm. It will be held at 133/141 West 21st Street, room 602C, 6th floor. If you want to stop in and say hello I’ll be there and I’ll be bringing Simone (the painting) with me.

Until next time…

Marvin Mattelson’s Portrait Workshops – Summer 2015

Take Your Portraits to the Next Level

Dayna-close-up

Due to my heavy work schedule, this summer I only have time to teach two workshops. Both will be taught at the School of Visual Arts in New York City. These two workshops address, in my estimation, the most troublesome aspects for artists interested in figurative and portrait painting: drawing and mixing color accurately. I will teach you to gain control with far less expended effort. The conventional way artists typically approach these aspects is unnecessarily overcomplicated and convoluted. I know many people feel that they must soldier on by themselves and eventually by putting in enough time they’ll overcome their shortcomings. Based on my experience the way to change your results is by changing your approach. The definition of insanity, according to Rita Mae Brown, is doing the same thing over and over and expecting different results. Regardless of whether you want to paint with broad strokes or great refinement you will learn how to take your work to the next level.

First up is my workshop Realistic Portrait Drawing, an intense 5 day workshop designed to improve drawing accuracy; Monday June 1 thru Friday June 5, 9am to 5pm. Click here to register for Realistic Portrait Drawing.

Drawing lies at the heart of all representational art and unity is the key component. The purpose of this workshop is to develop your ability to approach drawing in a contextual way, where each small part serves the greater whole. We will start with exercises designed to sharpen your ability to see objectively. Working with live models, you will learn how to identify the specific proportions and structure unique to each individual. By weeks end, you will understand what it takes to achieve a full-fledged tonal portrayal of your subject, bathed in light and surrounded by air. Draftsmanship is an easily learned skill. The techniques and approaches you will learn can be readily adapted to any type of subject matter and style. All aspects of this method will be presented logically and coherently. Every step will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop.

The second workshop is Realistic Portrait Painting. It runs from Monday August 3 thru Friday August 14. There is no class Sunday August 9. The hours are from 9am to 5pm. Click here to register for Realistic Portrait Painting. If you’re interested the course can be taken for undergraduate credits at an additional fee. Click here to register for realistic Portrait painting for college credit.

There’s more to painting a great portrait than capturing a likeness; it’s about creating the illusion of life. Portraiture should reveal the character of the sitter and exude a lifelike essence. During this course, taught by an award-winning portrait artist, you will learn how to analyze, interpret and convincingly portray the human visage. The methodology presented is both broad in scope, yet simple to comprehend. It’s based on the idea that logic, not frivolous rules nor superficial techniques, lies at the core of the greatest portraits ever created. Working from live models, you will discover a simple and straightforward way to achieve accurate drawing and to easily replicate any color you see, particularly the subtle translucent tones of the human complexion. You will also learn how to model form and to simulate the effects of luminosity, illusionistic depth and atmospheric space. All of the information covered in this course will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop. The Saturday session will be held at The Metropolitan Museum of Art (Saturday, August 8, Hours: 10:00 am-5:00 pm).

Marvin Mattelson’s Latest Oil Portrait Commission: Fang Fenglei

Fang

I recently completed the above portrait painting of Fang Fenglei. It’s a great honor to be chosen to paint such an exceptionally successful gentleman. Mr. Fang has been referred to as “China’s ultimate dealmaker”. I wanted to create a portrait he would be proud to hang in his home in Shanghi.

For me, composition is the most important part of a painting. I give great thought as to exactly what goes where so that my sitter’s legacy can be best served. It was my goal to create a portrait which would showcase the strength of character behind a man so accomplished. Mr. Fang has carved out quite the impressive resume.

He is the Founder and Chairman of Hopu Investment Management and is also Chairman of Goldman Sachs Gao Hua Securities. Mr. Fang has been recognized as one of the “Top Ten Influential Leaders of China’s Capital Market” by Financial Asia and he was also awarded “Asian Financial Service Development Outstanding Achievement” by Euromoney.

I try to make each portrait I paint unique in it’s own right. The best way to achieve this is to utilize elements that most appropriately convey the true sense of my subject.

I felt a simple earth toned background would be the best way to symbolize Mr. Fang’s humble beginnings; he was born the son of a farmer. I suggested that Mr. Fang wear traditional Chinese clothing as opposed to a Western business suit – which is the way he generally appears in photos. When he sat down I asked him to remove his glasses and I used their placement to break up the shape of the white shirt, which I felt could easily have pulled the viewer’s eye downward. I wanted the emphasis on his expression. I’m very proud of how this portrait came out and happy that the Fangs were so appreciative of my efforts.

One of my all time favorite painters, Ivan Kramskoy, said, “The better the composition, the less noticeable it is.” I hope that my painting exemplifies this principle.

Here are some detailed shots for those who like that sort of thing:

Fang-headFang-faceFang_crop_faceFang_hand

Marvin Mattelson Fall 2014 Continuing Education Classes at SVA in NYC

Nora-full

Nora-detail

NandM2

NandM

Figure and Portrait Painting in Oil

I’ll be teaching two classes this fall at the School of Visual Arts for the Department of Continuing Education. Each class focuses on both Figure and Portrait Painting and runs for eleven weeks. My Friday class starts September 19th and goes from noon until 6 pm. The Saturday class begins on September 20 and meets from 10 am until 4 pm. These classes are an opportunity to study with me and avoid the expense of being enrolled as a fully matriculated college student.

Every aspect of my oil painting methodology will be fully demonstrated and explained in a concise and logical way. You will learn how to draw more accurately and how to mix the colors you see, particularly with regards to the subtleties of flesh, and so much more. My goal is to demystify the process of painting. Rules bog down the mind and inhibit flow. Understanding and clarity free you to manifest your full creativity. There are always two models posing, one portrait and one figure.

For more information about these classes you can check out my website.
To register for Friday’s class click here. To register for Saturday’s class click here. For more info or to find out about taking these classes for full college credit please call 212-592-2050.

Fine Arts Information Session: Painting, Drawing, Sculpture, Printmaking and Jewelry

There will be an open house at SVA for those interested and I will be there to answer questions and chat. Please stop by if you’re in the area. It’s Tuesday, August 26, 6:30 pm – 8:30 pm at 133/141 West 21st Street, room 602C, 6th floor. Session begins promptly at 6:30 PM. Admission is free.

Above are a couple of shots of the demo I painted in my August New York City portrait workshop as well as a couple of pics of me with my model, Nora, courtesy of Bruce Brand.

Masters Secret Summit & Moi!

Marvin-interview

An Online Interview With Marvin Mattelson, Portrait Artist And Educator

Check out The Masters Secret Summit. It’s the creative brainchild of Kathryn Lloyd: a series of 21 Skype interviews with a variety of artist/teachers of representational art conducted by Kathryn, a charming and most gracious west coast artist.

I talk about my evolutionary path from clueless art student to whatever it is you want to call what I’ve become, pitfalls you should try your best to avoid, as well as my thoughts on what it takes to become the artist you aspire to be. If you are interested, you can register for the series at this site: www.themastersecretssummit.com. After you sign up, you will be emailed a link and you’ll be notified when each new interview is released. Best off all it is free.

My interview is now available at www.juskathryn.com/blog/marvin-mattelson/. There’s a form for those who wish to comment.

Let me know what you think.

Until next time…