Marvin Mattelson’s Portrait Workshops – Summer 2015

Take Your Portraits to the Next Level

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Due to my heavy work schedule, this summer I only have time to teach two workshops. Both will be taught at the School of Visual Arts in New York City. These two workshops address, in my estimation, the most troublesome aspects for artists interested in figurative and portrait painting: drawing and mixing color accurately. I will teach you to gain control with far less expended effort. The conventional way artists typically approach these aspects is unnecessarily overcomplicated and convoluted. I know many people feel that they must soldier on by themselves and eventually by putting in enough time they’ll overcome their shortcomings. Based on my experience the way to change your results is by changing your approach. The definition of insanity, according to Rita Mae Brown, is doing the same thing over and over and expecting different results. Regardless of whether you want to paint with broad strokes or great refinement you will learn how to take your work to the next level.

First up is my workshop Realistic Portrait Drawing, an intense 5 day workshop designed to improve drawing accuracy; Monday June 1 thru Friday June 5, 9am to 5pm. Click here to register for Realistic Portrait Drawing.

Drawing lies at the heart of all representational art and unity is the key component. The purpose of this workshop is to develop your ability to approach drawing in a contextual way, where each small part serves the greater whole. We will start with exercises designed to sharpen your ability to see objectively. Working with live models, you will learn how to identify the specific proportions and structure unique to each individual. By weeks end, you will understand what it takes to achieve a full-fledged tonal portrayal of your subject, bathed in light and surrounded by air. Draftsmanship is an easily learned skill. The techniques and approaches you will learn can be readily adapted to any type of subject matter and style. All aspects of this method will be presented logically and coherently. Every step will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop.

The second workshop is Realistic Portrait Painting. It runs from Monday August 3 thru Friday August 14. There is no class Sunday August 9. The hours are from 9am to 5pm. Click here to register for Realistic Portrait Painting. If you’re interested the course can be taken for undergraduate credits at an additional fee. Click here to register for realistic Portrait painting for college credit.

There’s more to painting a great portrait than capturing a likeness; it’s about creating the illusion of life. Portraiture should reveal the character of the sitter and exude a lifelike essence. During this course, taught by an award-winning portrait artist, you will learn how to analyze, interpret and convincingly portray the human visage. The methodology presented is both broad in scope, yet simple to comprehend. It’s based on the idea that logic, not frivolous rules nor superficial techniques, lies at the core of the greatest portraits ever created. Working from live models, you will discover a simple and straightforward way to achieve accurate drawing and to easily replicate any color you see, particularly the subtle translucent tones of the human complexion. You will also learn how to model form and to simulate the effects of luminosity, illusionistic depth and atmospheric space. All of the information covered in this course will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop. The Saturday session will be held at The Metropolitan Museum of Art (Saturday, August 8, Hours: 10:00 am-5:00 pm).

Cleveland Ohio Portrait Workshop – June 9 thru 21, 2014

Here’s a little flyer I created for my June Ohio Workshop:

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I hope to see you there.

Included in the tuition are five lectures. For those who can’t attend the workshop but would like to hear these presentations, lecture tickets are available and can be purchased separately.

For further information about the workshop and lectures, you can check out my site: http://www.fineartportrait.com/cleveland2014.html or you can contact my friend Patty Joyce who’s running the whole shebang. Please call Patty at 216.258.5424 or send her an email at pjoyce55@yahoo.com

New York Portrait Artist Workshop Demonstration – Day 4

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Today I completed my demonstration of Megan. I followed the same procedure as the previous day’s demo, but focused on smaller and more subtle nuanced shapes and transitions. I’m very happy with the way it came out and would have loved to keep working on it. When Megan came down from the model stand, after her next to last sitting, she looked and the painting, gasped and then hugged me. It was very touching. I’ve never had anything like that happen before.

Below are the progressive steps today’s journey took, followed by a few details. Unfortunately, there is some glare on these last images. I’ll try to get a better shot of the finished painting and post it soon.

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My workshop schedule for this year will be complete come tomorrow. For those interested, my continuing education classes at the School of Visual Arts begin in mid-September. Should be fun.

Until next time…

New York Portrait Artist Workshop Demonstration – Day 3

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Today, was the beginning of the end, or the phase I refer to as the initial finish later. As always, my priorities were: first drawing, then values and lastly color. I’m encouraged with how the likeness is coming together and especially the way that Megan’s spirit has begun to emerge. Since the base colors were established in the previous demo, I was able to introduce translucency and color-nuance and start the process of really bringing the portrait to life.

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My last demo day for this workshop will be Thursday.

Until next time…

New York Portrait Artist Workshop Demonstration – Day 2

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Yesterday I demonstrated my procedure for mixing up the colors on my palette. Today I laid in the color in a logical and methodical way and even had time at the end of the day to start the edge handling. Next up: the refinement stage. Below you can trace my steps, starting with the drawing correction and finishing up with the complete coverage of the underpainting.

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Until next time…