Marvin Mattelson’s Winter/Spring Classes at SVA in NYC

New York City Portrait and Figure Painting Classes

KarenD_cropMore

I’ll be teaching two classes at SVA in NYC for the Winter/Spring semester on Fridays and Saturdays. Each course is comprised of 12 six hour-long sessions.

Most of the class descriptions I read all sound pretty much the same but the question remains, do they deliver on the promise? Are all instructors created equal? My students tell me that isn’t the case and they’re so glad they found me.

…one of the greatest teachers ever. Marvin Mattelson changes the lives of anyone paying attention. I know I wouldn’t be half the painter I am without his guidance.

Dorian Vallejo

With numerous classes being given in a wide variety of venues I’d like to take this opportunity to explain why choosing to study with me will not only teach you the technical aspects of painting but transform the way you approach painting altogether.

For me as an artist, being told what to do in any given situation was not nearly enough. Painting at the highest levels goes way beyond following dogmatic rules; it’s about making intelligent choices.

Michelangelo said, ”A man paints with his brain and not with his hands.” This can’t happen unless you understand the full ramifications of the options you have available to you at any given moment. Basho, a Japanese poet from the 17th century said, “Don’t follow in the footsteps of the masters, seek what they sought.” My teaching is about empowering students.

You will learn how to easily mix the colors you see, how to create the illusion of solid form in three-dimensional space on a flat canvas, how to capture a likeness and create lifelike figures and portraits, but most importantly, gain great insight to the mindset that informs the choices available to you.

During the course of the semester, I will be demonstrating every step of the painting process. (The above image is a detail from a class demo painting.) I will progress from the underpainting, to the color lay-in and and to the finishing stage. As I paint, I explain not only what action I’m taking, but also my reason for doing it. During the semester we will take a Sunday field trip to the Metropolitan Museum of Art where I will dissect many master works to reveal that the same logical approach that I am teaching you in class is in the DNA of all great paintings.

We will have two set-ups at all times, a figure model and a portrait model. Every student will have an unobstructed view of their model. The lighting is classically inspired. The duration of each pose will last for approximately half of the semester.

The rapid growth I experienced at SVA was only made possible due to the quality of your instruction. It was your roadmap for me to follow. Like a sage boxing couch you showed me what to train and how to go about it. Above all else you fostered an incredible appetite for oil painting and a strong desire to know more, be that through rummaging through yellowing Vermeer notes or staring down Raeburn at the Frick.
What was so enthralling and captivating about oil painting anyway?
I’d like to think that a huge part of the allure and magic, was just how fun and endlessly rewarding you made the medium out to be. You turned what ought to have been a basic freshmen introduction painting class, into the veritable quest for the holy grail.
It takes a very special artist and teacher to set up such an environment. To design such a system of approach and reward, and do it with such seeming ease, that even maddeningly counterintuitive principles comes off as the most natural and beautiful thing in the world.
Your training and the mission you gave me was so jam packed and undeniable that SVA was nearly bursting at the seams to contain it. I am forever indebted to your brilliance as an artist, as a teacher and the deep generosity that powers both.

Billy Norrby

You can read more about my portrait painting and figure painting classes here.

Realistic Figure and Portrait Painting • FIC-2221-CE
Fridays • 12:00PM – 6:00PM • 12 sessions • First class: Jan. 29, 2015
Click here to register online for the Friday class.

Realistic Figure and Portrait Painting • FIC-2221-CE1
Saturdays • 10:00 AM – 4:00PM • 11 Sessions • First class: Jan. 30, 2015
Click here to register online for the Saturday class.

These courses may also be taken for undergraduate credit. For more information please call the Registrar’s Office (212) 592.2200.

I will be attending a fine art information session on Wednesday Jan. 6 at 133/141 West 21st Street, room 602C, 6th floor, from 6:30 PM to 8:30 PM. Please stop by and say hello.

Until next time…

Portrait Painting: Not Just a Passion, but a Great Escape!

Richard_W_Matt1

 

Is Anything More Dangerous Than a Frustrated Artist?

According to Friday’s New York Times, one of two escaped inmates bartered his portrait painting skills in order to get an unsuspecting guard to smuggle in tools which the convicts used to break out of Clinton Correctional Facility in Dannemora, New York. The escapee, Richard W. Matt, was pretty talented, as you can see from his above paintings of President Obama and Martin Luther King, Hillary Clinton, Julia Roberts and Marilyn Monroe. All in all, the guard wound up with 12 original paintings. That’s a lot of work for set of needle nose pliers, a screwdriver and a couple of tubes of white paint. Perhaps he broke out in order to attend my 2 week, August 3-14, Portrait Painting Workshop at the School of Visual Arts. Maybe he realized that if he had taken either a class or a workshop with me he may have been able to fully manifest his talents, like so many of my former students. If he had polished his skills, he might have been able to afford a better lawyer, rent a helicopter to aid in his getaway, or perhaps even have avoided a life of crime altogether. Unfortunately for Mr. Matt,  he was killed by police earlier today. A cautionary tale, no doubt!

Until next time…

Alla Prima Portrait Painting Demonstration

Marvin Mattelson’s One & Done Technique

Simone-&-Marvin
This past Saturday I did a portrait painting demonstration for my class, alla prima style. The point was to show the students how I approach painting oil studies during my initial meetings with clients. I primarily work from reference photos for my finished portraits, due to the time limitations of my busy clients. This quick approach gives me the opportunity to study their facial structure, get a better sense of who they are and, most importantly, to record their complexion. Judge for yourself, by looking at in the above photo, how I’ve done with regards to matching Simone’s skin tones.

Simone11
This painted study took me three hours and forty minutes – not counting breaks, although in the past I’ve done them in as little as one hour.

Here’s a little movie I put together showing how the painting evolved:

Don’t Try This at Home!

When going the Alla Prima route – trying to nail everything at once – if you are not in complete command, your results will suffer. If you’re having problems, you need to reload; first learn to do things correctly by mastering each of the major aspects of painting: drawing, value and color. That’s the way I break things down for my students. If you wanted to learn to ride a unicycle on a high wire while juggling burning axes would you try to do it all at once? When you break it down in digestible bites you get to dessert way faster?

Sound appetizing? Come study with me, this summer. I’ll be leading a portrait drawing workshop in June and a portrait painting workshop in August at the School of Visual Arts in New York City.

Also, there’s a Fine Arts Information Session on Monday, May 11, from 6:30 pm – 8:30 pm. It will be held at 133/141 West 21st Street, room 602C, 6th floor. If you want to stop in and say hello I’ll be there and I’ll be bringing Simone (the painting) with me.

Until next time…

Marvin Mattelson’s Portrait Workshops – Summer 2015

Take Your Portraits to the Next Level

Dayna-close-up

Due to my heavy work schedule, this summer I only have time to teach two workshops. Both will be taught at the School of Visual Arts in New York City. These two workshops address, in my estimation, the most troublesome aspects for artists interested in figurative and portrait painting: drawing and mixing color accurately. I will teach you to gain control with far less expended effort. The conventional way artists typically approach these aspects is unnecessarily overcomplicated and convoluted. I know many people feel that they must soldier on by themselves and eventually by putting in enough time they’ll overcome their shortcomings. Based on my experience the way to change your results is by changing your approach. The definition of insanity, according to Rita Mae Brown, is doing the same thing over and over and expecting different results. Regardless of whether you want to paint with broad strokes or great refinement you will learn how to take your work to the next level.

First up is my workshop Realistic Portrait Drawing, an intense 5 day workshop designed to improve drawing accuracy; Monday June 1 thru Friday June 5, 9am to 5pm. Click here to register for Realistic Portrait Drawing.

Drawing lies at the heart of all representational art and unity is the key component. The purpose of this workshop is to develop your ability to approach drawing in a contextual way, where each small part serves the greater whole. We will start with exercises designed to sharpen your ability to see objectively. Working with live models, you will learn how to identify the specific proportions and structure unique to each individual. By weeks end, you will understand what it takes to achieve a full-fledged tonal portrayal of your subject, bathed in light and surrounded by air. Draftsmanship is an easily learned skill. The techniques and approaches you will learn can be readily adapted to any type of subject matter and style. All aspects of this method will be presented logically and coherently. Every step will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop.

The second workshop is Realistic Portrait Painting. It runs from Monday August 3 thru Friday August 14. There is no class Sunday August 9. The hours are from 9am to 5pm. Click here to register for Realistic Portrait Painting. If you’re interested the course can be taken for undergraduate credits at an additional fee. Click here to register for realistic Portrait painting for college credit.

There’s more to painting a great portrait than capturing a likeness; it’s about creating the illusion of life. Portraiture should reveal the character of the sitter and exude a lifelike essence. During this course, taught by an award-winning portrait artist, you will learn how to analyze, interpret and convincingly portray the human visage. The methodology presented is both broad in scope, yet simple to comprehend. It’s based on the idea that logic, not frivolous rules nor superficial techniques, lies at the core of the greatest portraits ever created. Working from live models, you will discover a simple and straightforward way to achieve accurate drawing and to easily replicate any color you see, particularly the subtle translucent tones of the human complexion. You will also learn how to model form and to simulate the effects of luminosity, illusionistic depth and atmospheric space. All of the information covered in this course will be fully demonstrated and explained. NOTE: A complete supply list will be sent to you prior to the start of the workshop. The Saturday session will be held at The Metropolitan Museum of Art (Saturday, August 8, Hours: 10:00 am-5:00 pm).

Marvin Mattelson’s Latest Oil Portrait Commission: Fang Fenglei

Fang

I recently completed the above portrait painting of Fang Fenglei. It’s a great honor to be chosen to paint such an exceptionally successful gentleman. Mr. Fang has been referred to as “China’s ultimate dealmaker”. I wanted to create a portrait he would be proud to hang in his home in Shanghi.

For me, composition is the most important part of a painting. I give great thought as to exactly what goes where so that my sitter’s legacy can be best served. It was my goal to create a portrait which would showcase the strength of character behind a man so accomplished. Mr. Fang has carved out quite the impressive resume.

He is the Founder and Chairman of Hopu Investment Management and is also Chairman of Goldman Sachs Gao Hua Securities. Mr. Fang has been recognized as one of the “Top Ten Influential Leaders of China’s Capital Market” by Financial Asia and he was also awarded “Asian Financial Service Development Outstanding Achievement” by Euromoney.

I try to make each portrait I paint unique in it’s own right. The best way to achieve this is to utilize elements that most appropriately convey the true sense of my subject.

I felt a simple earth toned background would be the best way to symbolize Mr. Fang’s humble beginnings; he was born the son of a farmer. I suggested that Mr. Fang wear traditional Chinese clothing as opposed to a Western business suit – which is the way he generally appears in photos. When he sat down I asked him to remove his glasses and I used their placement to break up the shape of the white shirt, which I felt could easily have pulled the viewer’s eye downward. I wanted the emphasis on his expression. I’m very proud of how this portrait came out and happy that the Fangs were so appreciative of my efforts.

One of my all time favorite painters, Ivan Kramskoy, said, “The better the composition, the less noticeable it is.” I hope that my painting exemplifies this principle.

Here are some detailed shots for those who like that sort of thing:

Fang-headFang-faceFang_crop_faceFang_hand