Realistic Figure and Portrait Painting Classes at the School of Visual Arts in New York City
Mia by Carol Katz
“If I had your technique I would be a great artist!” I get this all the time, but nothing could be further from the truth. “If only I could paint tighter!” “If only I could be more painterly!” I hate to be the bearer of bad news; it’s not about technique. I tell my students that Rembrandt would have been able to create masterpieces with a bucket of mud and a mop! A lot of artists seem to feel that they will somehow magically figure it out all on their own. I know I did. Problem is, you can’t get there from here!
Katya by Sijia Xie
The way painting is generally presented in books and classes made no sense to me. Allegedly it’s visceral, but in reality you get a plethora of random rules. So how exactly can one learn the core truths that form the basis of representational art. When I looked at the work of the great masters, there was obviously a strong underlying logic. That’s what I tried to discover on my own, the hidden mindset! And as it turned out, I got pretty far, but not far enough. Eventually, I realized I would never get it on my own, so I found someone to study with and to help me fill in the blanks. His name was John F. Murray and I will be forever grateful for the time we spent together. John had been a student of the legendary Frank Reilly’s. Reilly was a man with a questioning nature, not unlike me, who believed the common bond shared by the best artists was deep understanding. To be a great painter you need to think like one.
Mia by Debby Waldron
From the beginning of my studies with John, I was amazed at how succinctly my own conclusions dovetailed with Reilly’s. I truly believe had I continued on my own, I would have eventually figured it all out. The only problem was, it would have taken me several lifetimes to get there. What I learned turbocharged my understanding, which I’m happy to say, is continuously evolving. It has allowed me, and so many of my students, to become the artists of our dreams. If you’d like to shave a couple of centuries – or at least a few decades – off of your struggle, you should come study with me.
Dayna by Jessica Pester
I’ll be teaching two continuing education classes at the School of Visual Arts in New York City that run for 12 sessions each:
Realistic Figure and Portrait Painting (FPC-2010-CE) is on Fridays from 12:00 PM to 6:00 PM and begins January 30. You can register for the Friday class here.
Realistic Figure and Portrait Painting (FPC-2010-CE1) is on Saturdays from 10:00 AM until 4:00 PM and begins January 31. You can register for the Saturday class here.
On Wednesday January 6th there is an open house for those interested in learning more about what the school has to offer. This information session will be held at 133/141 West 21st Street, room 602C, 6th floor. Session begins promptly at 6:30 PM. I’ll be there so please stop by and say hello.
Katya by Guilherme Ghignone E Silva
Sprinkled throughout this post are some painting from my continuing ed classes this past fall semester. Some are beginners and other’s more seasoned. They all took great strides forward. Each was able to capture a true sense of liveliness and a feeling of solid form. Those qualities form the basis of all noteworthy figurative painting. I also feel it’s important to not lose your hand. I don’t try to turn my students into Mini Me’s. I love that each student’s work has a unique quality. The idea is to become the best version of yourself by making insightful choices.
Mia by Pablo Almonte
Until next time…