New York Portrait Artist Workshop Demonstration – Day 2

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Yesterday I demonstrated my procedure for mixing up the colors on my palette. Today I laid in the color in a logical and methodical way and even had time at the end of the day to start the edge handling. Next up: the refinement stage. Below you can trace my steps, starting with the drawing correction and finishing up with the complete coverage of the underpainting.

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Until next time…

So You Think You Can Draw?

“Drawing includes everything except the tinting of the picture.”Who said that?  Jean Auguste Dominique Ingres

“I can draw pretty well, but I don’t really know how to paint.” Who said that? The vast majority of people who inquire about taking a portrait painting class with me.

I teach four painting classes each fall and each spring. Every summer I schedule three portrait painting workshops. People come to me to learn painting based on their familiarity with my work as a portrait artist. Thanks to my teaching methodology my students make incredible progress, but, when a student is having a problem with their painting, it’s the drawing that’s invariably at fault. So each summer, because I feel it’s so important, I dedicate one week to lead a portrait drawing workshop at the School of Visual Arts in New York City. This year I’ve scheduled a classical portrait drawing workshop to run from Monday June 25 through Friday June 29.  In every class I teach, everything is fully demonstrated and thoroughly explained. The above drawing is a detail of a workshop demonstration drawing. What gets covered in the workshop? In Ingres’ words, “To draw does not mean only to reproduce an outline, drawing does not consist only of line; drawing is more than this, it is expression, it is the inner form, the structure, the modelling. After that what is left? Drawing includes seven-eighths of what constitutes painting.” Need I say more.

If you want to find out more, here’s a link: http://www.fineartportrait.com/nyc_drawing_workshop.html

Until next time…