Where To Draw The Line; Marvin Mattelson’s SVA Summer Drawing Workshop

“Matt-Ellrod-2192"Workshop drawing by Matt Ellrod

G. K. Chesterton once observed, “Art, like morality, consists in drawing the line somewhere.” For advice on morality you should seek spiritual guidance, but as far as where to draw a line, I think I may be able to help. I will be leading a portrait drawing workshop at the School of Visual Arts here in the heart of New York City from June 6-10.

Workshop drawing by Mandy BisestiWorkshop drawing by Mandy Basesti

In this workshop you will learn to create a portrait drawing using charcoal and white chalk on toned paper. It’s my take on a technique used by the great French draftsman Pierre-Paul Prud’hon in the late 18th and early 19th century. This technique, which actually dates back many hundreds of years prior to Prud’hon, allows you to develop a drawing in much less time than simply drawing on white paper. For that reason many artists such as Sir Anthony Van Dyck and Elizabeth Vigee LeBrun (both of which are currently featured in museum retrospectives here in NYC) have used this technique to save themselves valuable time.

Workshop Drawing by Carole KatzWorkshop Drawing by Carole Katz

Although the technical aspects of making a finished drawing will be covered in great detail, the primary focus of this workshop is learning to see proportions and tones more accurately. This will greatly enhance your ability to not only capture a faithful likeness, but also to better assess values, allowing you to render form more effectively. In class we will be working exclusively from live models. I will be demonstrating and explaining all aspects of my drawing methodology and the underlying concepts that govern my actions. You will come away from the workshop with a deeper understanding and a sound strategy for approaching any subject.

Workshop Drawing by Barry GraysonWorkshop Drawing by Barry Grayson

You will learn how to develop the illusion of three-dimensional form bathed in light and surrounded by air. Whether your goal is to improve your drawing for its own sake, or to enhance your drawing skills as a conduit to further improving your paintings, this workshop will provide you with the tools necessary to draw with more confidence.

Workshop drawing by Paul BeaudoinWorkshop drawing by Paul Beaudoin

Throughout this article you are seeing recent drawings by my workshop students. These drawings were done in approximately one day, not obsessively rendered over a period of either weeks or months. Notice the diversity of stylistic approaches. Rather than dogmatically insisting that my students draw in a particular way, my goal is to assist you in becoming the best possible version of yourself.

Workshop drawing by Pete GrillWorkshop drawing by Pete Grill

On Wednesday, May 11, there will be a Fine Arts Information Session: Painting, Drawing, Sculpture and Printmaking at the School Visual Arts at 133/141 W. 21st Street, room 602C, sixth floor from 6:30 to 8:30 PM. I’ll be there if you have any questions about my drawing workshop or my two-week portrait workshop from August 8-19, or just want to stop by and say hello.

Workshop drawing by Matt EllrodWorkshop drawing by Matt Ellrod

5 Day Realistic Portrait Drawing Workshop
June 6 – 10, 2016 • 9:00AM – 5:00PM
Find out more information about this workshop
Register online or call 212.592.2200

11 Day Realistic Portrait Painting Workshop
August 1 – 12, 2016 • 9:00AM – 5:00PM • No class August 7.
Find out more information about the workshop
Register online or call 212.592.2200
This course may also be taken for credit. Please call the registrar’s office @ 212.592.2200 for more information.

Marvin Mattelson’s Winter/Spring Classes at SVA in NYC

New York City Portrait and Figure Painting Classes

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I’ll be teaching two classes at SVA in NYC for the Winter/Spring semester on Fridays and Saturdays. Each course is comprised of 12 six hour-long sessions.

Most of the class descriptions I read all sound pretty much the same but the question remains, do they deliver on the promise? Are all instructors created equal? My students tell me that isn’t the case and they’re so glad they found me.

…one of the greatest teachers ever. Marvin Mattelson changes the lives of anyone paying attention. I know I wouldn’t be half the painter I am without his guidance.

Dorian Vallejo

With numerous classes being given in a wide variety of venues I’d like to take this opportunity to explain why choosing to study with me will not only teach you the technical aspects of painting but transform the way you approach painting altogether.

For me as an artist, being told what to do in any given situation was not nearly enough. Painting at the highest levels goes way beyond following dogmatic rules; it’s about making intelligent choices.

Michelangelo said, ”A man paints with his brain and not with his hands.” This can’t happen unless you understand the full ramifications of the options you have available to you at any given moment. Basho, a Japanese poet from the 17th century said, “Don’t follow in the footsteps of the masters, seek what they sought.” My teaching is about empowering students.

You will learn how to easily mix the colors you see, how to create the illusion of solid form in three-dimensional space on a flat canvas, how to capture a likeness and create lifelike figures and portraits, but most importantly, gain great insight to the mindset that informs the choices available to you.

During the course of the semester, I will be demonstrating every step of the painting process. (The above image is a detail from a class demo painting.) I will progress from the underpainting, to the color lay-in and and to the finishing stage. As I paint, I explain not only what action I’m taking, but also my reason for doing it. During the semester we will take a Sunday field trip to the Metropolitan Museum of Art where I will dissect many master works to reveal that the same logical approach that I am teaching you in class is in the DNA of all great paintings.

We will have two set-ups at all times, a figure model and a portrait model. Every student will have an unobstructed view of their model. The lighting is classically inspired. The duration of each pose will last for approximately half of the semester.

The rapid growth I experienced at SVA was only made possible due to the quality of your instruction. It was your roadmap for me to follow. Like a sage boxing couch you showed me what to train and how to go about it. Above all else you fostered an incredible appetite for oil painting and a strong desire to know more, be that through rummaging through yellowing Vermeer notes or staring down Raeburn at the Frick.
What was so enthralling and captivating about oil painting anyway?
I’d like to think that a huge part of the allure and magic, was just how fun and endlessly rewarding you made the medium out to be. You turned what ought to have been a basic freshmen introduction painting class, into the veritable quest for the holy grail.
It takes a very special artist and teacher to set up such an environment. To design such a system of approach and reward, and do it with such seeming ease, that even maddeningly counterintuitive principles comes off as the most natural and beautiful thing in the world.
Your training and the mission you gave me was so jam packed and undeniable that SVA was nearly bursting at the seams to contain it. I am forever indebted to your brilliance as an artist, as a teacher and the deep generosity that powers both.

Billy Norrby

You can read more about my portrait painting and figure painting classes here.

Realistic Figure and Portrait Painting • FIC-2221-CE
Fridays • 12:00PM – 6:00PM • 12 sessions • First class: Jan. 29, 2015
Click here to register online for the Friday class.

Realistic Figure and Portrait Painting • FIC-2221-CE1
Saturdays • 10:00 AM – 4:00PM • 11 Sessions • First class: Jan. 30, 2015
Click here to register online for the Saturday class.

These courses may also be taken for undergraduate credit. For more information please call the Registrar’s Office (212) 592.2200.

I will be attending a fine art information session on Wednesday Jan. 6 at 133/141 West 21st Street, room 602C, 6th floor, from 6:30 PM to 8:30 PM. Please stop by and say hello.

Until next time…

Marvin Mattelson’s New York City Portrait & Figure Painting Classes

Continuing Education Classes At the School of Visual Arts

Portrait class in Marvin Mattelson's studio at SVA.

Portrait class in Marvin Mattelson’s studio at SVA.

Once again I’ll be teaching two classes at SVA in NYC for the fall semester on Fridays and Saturdays. For more information about the courses you can check out my site: www.fineartportrait.com. My goal is not only to make my students better painters but to transform the way they think. Here’s a couple of quotes from former students.

I thank Marvin most of all for the recent growth I have seen in my own art. His ability to communicate his knowledge of painting to students is, in my mind, unsurpassed.
Matthew Innis

It seems you’ve developed into the kind of instructor we all wish we’d had early on. I like your kid-in-the-candy-store enthusiasm for what you are teaching. Even the things I was already familiar with you presented so concisely that it made me know it better. The whole experience was well worth the time, effort and money. Not everyone can be fun and serious. It’s a synergistic mix.
Jeff Ott

Realistic Figure and Portrait Painting • FPC-2010-CE
Fridays • 12:00PM – 6:00PM • 12 sessions • First class: Sept. 25, 2015
Click here to register online for the Friday class.

Realistic Figure and Portrait Painting • FPC-2010-CE1
Saturdays • 10:00 AM – 4:00PM • 11 Sessions • First class: Sept. 26, 2015
Click here to register online for the Saturday class.

These courses may also be taken for undergraduate credit. For information call the Registrar’s Office (212) 592.2200.

I will be attending a fine art information session on Monday August 24 at 133/141 West 21st Street, room 602C, 6th floor, from 6:30 PM to 8:30 PM. Please stop by and say hello.

SVA Spring/Winter Continuing Education Classes: Realistic Figure & Portrait Painting

Evan_full

Evan_face

Happy New Year!

Personally, I can’t think of a better way to start the new year than by taking a life painting class with me. Can you? Every time I take a class or workshop with myself at the helm I get markedly better. It’s like magic. That’s why I keep doing it. It’s exciting and inspiring and I truly believe there’s nothing like it out there.  If you want to raise up the level of your work, this is the time and place to do it. But don’t take my word for it. Follow this link to my site and read the comments posted by many of my former students. See what they have to say on the matter.

Above is a recent portrait commission I completed, Portrait of Evan. When I was in art school, the idea of being able to do anything even remotely resembling the painting displayed here was beyond my wildest dream. Back then I promised myself, if I ever had the fortune to actually figure this out, I would become the teacher I wished I’d had. It took a lifetime of study, dedication, frustration and perseverance to get to where I am today, but I eventually transformed that sad pathetic soul, who knew for a fact that he could never paint to save his life, and transform him into the artist responsible for the painting above! For those with similar goals the struggle doesn’t need be so drawn out. The kind of information and training I have created can make as huge a difference for you as it has for me.

I’ll be teaching two continuing education classes for the upcoming winter/spring semester at the School of Visual Arts in New York City. Both of the classes are titled, Realistic Figure and Portrait Painting. Each class is divided into 12 six-hour sessions. There will be two professional models posing for each class session, one portrait and one figure. Every student has a clear view of the model they are painting. The classes are not overcrowded like in many schools, where it feels like your model is in the next zip code. The facilities are top-notch. The duration for each pose is approximately half a semester. During the course I thoroughly demonstrate and explain my approach to realistic painting. I will demonstrate the underpainting phase, the lay-in of the color as well as finishing techniques. In addition, I will show you how I lay out my palate and explain a practical and bulletproof form of color theory. There is a reason for every action so while I demonstrate I clearly explain what I’m doing and why. I am present and teaching the entire duration of each class. There are no monitors or assistants giving second and third hand feedback. Just me, Marvin Mattelson!

This class is for artists of all levels, from rank beginners to the most advanced. My students progress is unfathomable, compared to what you see in other classes and workshops. A well known teacher of academic painting – who for obvious reasons chooses to remain nameless – said he had never seen the kind of progress he witnessed in my class, and that included his own teaching. By the end of the semester mind numbing progress takes place for those who surrender and cast off the shackles of myopic methodologies.

Old habits die hard…what you’ve done up to now is both the reason for your current success but, unfortunately, also the reason you aren’t the artist you aspire to be. I break down and streamline the key aspects of the painting process into digestible and understandable pieces, casting aside archaic rules and regulations and mythologies passed down from one uninformed instructor to the next. One of my recent students, Cynthia Brewster, eloquently stated:

“Each component is so logical, and allows me to review in my mind as I am reading. You always have something new to add, as well, from an historical or technical perspective. What I like best is that you have done the research from which I benefit! You do not create rules, but give a clearer path for making decisions.”

My goal is to develop artists whose full understanding allows them to manifest their own intrinsic artistic sensibilities without the constraints of rules and considerations. My teaching is an outgrowth of my own forty-year journey to discover the core truths that lie at the heart of all great painting. Whether you want to be a portrait artist, a figurative painter, a still life painter, a landscape painter or even an abstract artist, the valuable lessons that you will learn about painting will serve you in reaching whatever artistic aspirations you may have.

The Friday class begins January 31 and the Saturday class starts the following day, February 1. Sign up by clicking on the following links:  register for Friday’s class and/or register for Saturday’s class. Registration is now in progress. The classes are also available for undergraduate credit. For more info please call the Department of Continuing Education at 212-592-2050. If you’d like additional information regarding my teaching you can go to the teaching page on my website and follow the numerous links.

For those interested, there is an open house for fine art continuing education classes that I will be attending, if you would like to meet me and discuss my teaching or any other subject of your choosing. The fine arts information session takes place on Wednesday, January 8 from 6:30 PM – 8:30 PM. It’s open to the general public free of charge. It will be held that 133/141 W. 21st St., room 602C in New York City. I hope to see you there.

Until next time…

Meet the real Marvin Mattelson, Portrait Artist & Educator

No this isn’t me. It’s a portrait of the great model Dustin, painted by my student Sam Zanger during the last workshop I led at SVA, a couple of weeks back. This was a breakthrough painting for Sam, who has been studying with me for the equivalent of six semesters. Sam is a regular in my Saturday class.

I’ve been very busy lately finishing up my summer workshops, and trying to get everything ready for the fall semester at the School of Visual Arts, where I teach, so I’ve had to put my fledgling career as a blogger on temporary hold. Once I get things settled I’ll once again be churning out more provocative points of view, and when I have time, working on my commissioned portraits–just kidding, the portraits always come first.

This coming Wednesday and Thursday there will be two open houses at the school for students interested in finding out more information about continuing education classes–of which I teach two. I will be attending both these sessions, so if you’re in the neighborhood please stop by and meet the man behind the blog.

Wednesday, September 25

School of Visual Arts

133 West 21st St., Rm 602C, New York, NY.

6:30PM to 8:30PM.

Here’s one the following night.

Thursday,  September 26

School of Visual Arts

209 East 23rd St., Rm 311, New York, NY

6:30PM – 9:30PM

Until next time…